Wednesday, May 1, 2013

Test of Time Review: Canon EOS 350D/Rebel XT

The Canon EOS 350D was the successor to the highly-innovative 300D, the body that helped make DLSR photography cheap and accessible to the masses. But unlike its predecessor, the 350D didn't suffer from an intentional crippling of its feature set to avoid cannibalizing sales of the XXD series. In 2005, it offered incredible bang for your buck at $900, an amount we'd laugh at today for a body of its performance level. Nonetheless, a 350D can run as low as $80 on the used market, less than even the lowest-end point-and-shoots from major brands. The low price, combined with small size and ease of use, make it a tempting buy for those who want to get their foot into the DSLR door without risking much cash.


Fast forward eight years and the industry has changed drastically, with entirely new categories of interchangeable lens bodies, and a multitude of affordable bodies available. With seven newer generations of digital rebels available since 2005, is the 350D still worth its low used market price of <$100? Let's find out.

Sporting a significantly smaller form-factor than the 300D, the 350D is quite small, roughly the same size as every mainline Digital Rebel released since. Sadly this means it was the body that introduced the small, crimp-style handgrip that anyone will large hands will find uncomfortable after extended use. Personally I can only fit 3 fingers on the grip in my natural shooting position, with my pinky being forced underneath the body for lack of anywhere else to go. The outer body is made up entirely of plastic, with the smooth texture making it feel cheap. Despite this, I don't have any qualms about its durability. Though I never dropped it, I bumped, dinged, and knocked it more times than I can count. The body isn't weather sealed, but after being rained on countless times for short periods (short period defined as however long it took to put a plastic bag over it), I never had any issues.

As a Rebel body, the 350D lacks the rear control dial of the more advanced line, instead having four directional buttons surrounded a 'set' button in the middle. Though I prefer using the clickwheel of the more advanced bodies, the four-button layout works well and is quite intuitive - each of the four buttons has a dedicated function (ISO, metering, AF, WB) that brings up a menu screen on the main LCD, and pressing the set button will confirm changes.
Note the small main LCD and four-way buttons

The main screen on the 350D is small, even by the standards of the time. At 1.8", it's difficult to see much detail in shots, making the playback zoom function virtually mandatory for checking sharpness. The main LCD does at least have 5 levels of brightness that can be set, though in bright sunlight it becomes almost impossible to see. On the other hand, this disadvantage is somewhat diminished since the small size of the screen it makes easy to shield from sunlight with your hand, something I find more difficult to do with the 3.0" screen of the 50D. The 350D was also the last in the Rebel series to feature a monochromatic LCD (think digital watch) to show current camera and exposure settings. Personally I prefer this over the modern setup of using the main LCD as the monochrome screen is easily visible in sunlight, and uses less power.

Much like the LCD, the 350D features a very small optical viewfinder with 0.80x magnification, a downgrade from the 300D's 0.88x. The viewfinder's eyecup is rather flimsy and tends to fall off. I had mine secured witha  single piece of duct tape for two years before I lost it for good; the eyecups on the upper level bodies don't fall off nearly as easily. When peering through the viewfinder, you'll get a sense of tunnel vision since you'll be seeing more black border than actual viewing area. There's a slightly purple colour cast as well, though that's little more than a visual distraction. The small viewfinder makes manual focus difficult, especially with slower lenses, or at macro focus distances. And with no live view available, this can be problematic to say the least, unless you want to trust the camera's AF system.

Proper manual focus with adapted lenses can be difficult to achieve with the small viewfinder
...Speaking of AF systems, the 350D uses the now-extinct 7-point system (only the 1000D used it afterward), laid out in a crosshair pattern. It provides nice, wide coverage of the frame, but it's gotten more than its fair share of bad press in reviews and forums over the years. With that said, I want to get this out of the way first: there's really nothing the AF system can't do, the issue is that every other system out there now can do it better, faster, and with a better focus hitrate. I never found a type of movement or action that it was absolutely incapable of focusing on, but my hit rates were never anything to write home about. Even something as straightforward as running provided a challenge for the system, even with f/2.8 USM lenses in broad daylight. I noticed a huge improvement (without any technique changes) once I eventually migrated to the 20D. Identical circumstances while using the original 1D also yielded better results. At 3 frames per second and a fairly long viewfinder blackout time, you'll be hard-pressed to find a worse body for action usage, but the 350D is at least capable of doing the job if needed.

The AF system works, it's just inconsistent
From an image quality standpoint, the 350D has aged pretty well. The 8 megapixel resolution only allows for modest cropping, but it's still good enough for large prints (I've done up to 20x30"). IQ is essentially the same as the 20D, since the two used nearly identical sensors. One of the biggest drawbacks of the 350D's sensor (and processor) compared to more modern bodies is the limited ISO range of 100-1600...and that's it. No ISO expansion modes like on the 20D either. If you're going to be shooting in low light often, it'll be worth your while to grab something more recent. The upside of this is that high ISO quality holds up well, an in-camera JPEG at ISO 1600 is only about a stop behind what some of the more recent APS-C bodies can offer from a noise point of view. I do have slight hesitation about using ISO 1600 on the 350D, but if proper exposure is used the results will be more than acceptable.

ISO 1600 can look pretty good when exposed to the right
Although the 350D only features a shutter with a rated life of ~50,000 actuations, I got about 70,000+ on mine before selling it recently, but then again your mileage varies with any camera. Starting with the XSi in 2008, the Rebel series introduced more durable shutters (carried down from the XXD series). If you plan to keep whichever body you buy for a while, this may be something to factor in  to the equation. Also note that since the 350D uses a Digic II processor, its shutter count can't be read by programs such as those found as eoscount.com and myshuttercount.com so you have no way of knowing how used each body is. Starting with the Digic III on the 450D, this guesswork was erased.


What's still good

  • Image quality still holds up well
  • Small, light, and cheap
  • Instant startup 
  • Dedicated rear status monochrome LCD

What's lacking

  • Small 1.8" LCD
  • 7-point AF system has not aged well
  • Smallest viewfinder on a Canon DSLR
  • low framerate of 3fps
  • Small handgrip
  • No self-cleaning sensor
  • Low shutter-count rating
To sum up, unless money is incredibly tight, you're better off spending another $20-$30 to get at least and XTi (or even a 20D), where the Autofocus and LCD are drastically improved. You'll have to get at least and XSi to see a larger optical viewfinder in a rebel body, though. To be fair, the 350D is still a good body in its own right, but with all the options out there I can't really see a reason why it would top anyone's list...except the one mentioned in the opening sentence of this paragraph. However, even that is cancelled out by the 350D's usage of Compact Flash memory cards, which cost far more per GB than the SD cards used by the XSi (and newer) bodies in the series. In short, skip it. Unlike the 20D, there isn't even a niche the 350D can fill.

At that point, I had run out of cameras to take this picture with

For those wondering, the next review will likely be the EOS 5D.


1 comment:

  1. Nice retro review of the 350D. I just bought it with the kit lens, EF 50 mm 1.8, 100 mm macro USM and a battery grip for 300 euros. Let's see if I can get some good results out of it!

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